Healing for the Soul: Richard Smallwood, the Vamp, and the Gospel Imagination Shelley Braxton D.
Healing for the Soul: Richard Smallwood, the Vamp, and the Gospel Imagination Shelley Braxton D. Between the first and last words of a black gospel song, musical sound acquires spiritual power. The…
Specifikacia Healing for the Soul: Richard Smallwood, the Vamp, and the Gospel Imagination Shelley Braxton D.
Healing for the Soul: Richard Smallwood, the Vamp, and the Gospel Imagination Shelley Braxton D.
Between the first and last words of a black gospel song, musical sound acquires spiritual power. The most important of these is a repetitive musical cycle known by names including the run, the drive, the special, and the vamp. During this unfolding, a variety of techniques facilitate musical and physical transformation.
While many musical traditions use vamps to fill space, or occupy time in preparation for another, more important event, in gospel, vamps are the main event. Through its combination of reiteration and intensification, the vamp turns song lyrics into something more potent. Why is the vamp so central to the black gospel tradition?
What work-musical, cultural, and spiritual-does the gospel vamp do? And what does the vamp reveal about the transformative power of black gospel more broadly?This book explores the vamp's essential place in black gospel song, arguing that
Soul, Symbol and Imagination
Healing the Eternal Soul
Healing the Masculine Soul