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Modern Art 1851-1929: Capitalism and Representation Oxford History of Art: Richa

Richard R. Brettell's innovative and beautifully-illustrated account explores the works of artists such as Monet, Gauguin, Picasso, and Dali--as well as lesser-known figures--in relation to expansion,…

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Autor
Richard Brettell
Počet strán
272
Rok vydania
1999
Jazyk
anglické

Specifikacia Modern Art 1851-1929: Capitalism and Representation Oxford History of Art: Richa


Richard R. Brettell's innovative and beautifully-illustrated account explores the works of artists such as Monet, Gauguin, Picasso, and Dali--as well as lesser-known figures--in relation to expansion, colonialism, nationalism and internationalism, and the rise of the museum. Beginning with The Great Exhibition of 1851 in London, Brettell follows the development of the major European avant-garde groups: the Realists, Impressionists, Post-Impressionists, Symbolists, Cubists, and Surrealists. Giving attention to the changing social, economic, and political climate, the book focuses on conditions for the development of modern art such as urban capitalism, modernity, and the accessible image made possible by art museums, temporary exhibitions, lithography, and photography. Brettell examines artists' responses to modernism, including changes in representation, vision, and the art of seeing.

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