Modern Art 1851-1929: Capitalism and Representation Oxford History of Art: Richa
Modern Art 1851-1929: Capitalism and Representation Oxford History of Art: Richa Richard R. Beginning with The Great Exhibition of 1851 in London, Brettell follows the development of the major…
Specifikacia Modern Art 1851-1929: Capitalism and Representation Oxford History of Art: Richa
Modern Art 1851-1929: Capitalism and Representation Oxford History of Art: Richa
Richard R. Beginning with The Great Exhibition of 1851 in London, Brettell follows the development of the major European avant-garde groups: the Realists, Impressionists, Post-Impressionists, Symbolists, Cubists, and Surrealists. Brettell's innovative and beautifully-illustrated account explores the works of artists such as Monet, Gauguin, Picasso, and Dali--as well as lesser-known figures--in relation to expansion, colonialism, nationalism and internationalism, and the rise of the museum.
Brettell examines artists' responses to modernism, including changes in representation, vision, and the art of seeing. Giving attention to the changing social, economic, and political climate, the book focuses on conditions for the development of modern art such as urban capitalism, modernity, and the accessible image made possible by art museums, temporary exhibitions, lithography, and photography.