Whose Country Music?: Genre, Identity, and Belonging in Twenty-First-Century Country Music Culture Bishop Paula J.

Whose Country Music?: Genre, Identity, and Belonging in Twenty-First-Century Country Music Culture Bishop Paula J. In a period in which racism and gender inequity are at the fore of public,…

od 93 €

enbook .sk

Whose Country Music?: Genre, Identity, and Belonging in Twenty-First-Century Country Music Culture Bishop Paula J. na enbook.sk

od 93 €

Do obchodu

Specifikacia Whose Country Music?: Genre, Identity, and Belonging in Twenty-First-Century Country Music Culture Bishop Paula J.

Whose Country Music?: Genre, Identity, and Belonging in Twenty-First-Century Country Music Culture Bishop Paula J.

In a period in which racism and gender inequity are at the fore of public, political, and scholarly discourse, this collection challenges systems of gatekeeping that have dictated who gets to participate in twenty-first century country music culture. The authors pose questions about diversity, representation, and identity as they relate to larger concepts of artist and fan communities, stylistic considerations of the genre, and modes of production from a twenty-first century perspective. Building on established scholarship, this book examines contemporary issues in country music through feminist, intersectional, and post-colonialist theories, as well as other intertextual and cultural lenses.

Addressing and challenging the received narrative about country music culture, this collection delves into the gaps that are inherent in existing approaches that privileged biography and

Whose Country Music?: Genre, Identity, and Belonging in Twenty-First-Century Country Music Culture Bishop Paula J. patrí medzi produkty, ktoré ponúkajú vyvážený pomer kvality a ceny. V hornej časti stránky nájdeš hlavný prehľad, nižšie podrobné vlastnosti a technické parametre.

Whose Country Music?: Genre, Identity, and Belonging in Twenty-First-Century Country Music Culture Bishop Paula J.

Specifikacia Whose Country Music?: Genre, Identity, and Belonging in Twenty-First-Century Country Music Culture Bishop Paula J.

Whose Country Music?: Genre, Identity, and Belonging in Twen...

Culture, Contention and Identity in Seventeenth-Century Irel...

Memory in the Twenty-First Century

Capital in the Twenty-First Century

Castoriadis and Autonomy in the Twenty-first Century Schisme...

Hospital Chaplaincy in the Twenty-First Century

Transnationalism and German-Language Literature in the Twent...

Military Alliances in the Twenty-First Century

Hart-Fuller Debate in the Twenty-First Century

Ireland and Migration in the Twenty-First Century - Gilmarti...

World Population and Human Capital in the Twenty-First Centu...

Music in the Twentieth and Twenty-First Centuries - Joseph A...

Constitutionalism in Asia in the Early Twenty-First Century

Capital in the Twenty-First Century - Thomas Piketty

Biopolitical Futures in Twenty-First-Century Speculative Fic...

Open Source Intelligence in the Twenty-First Century

Capital in the Twenty-First Century Piketty Thomas

Imperialism in the Twenty-First Century - Smith John

Cambridge Studies in Twenty-First Century Literature and Cul...

Terrorism in the Twenty-First Century Combs Cynthia C.